With The Spin, Messa takes another big step forward. Their fourth album is a dark, elegant ride through doom, gothic and even jazz-influenced territories – and it’s easily their most refined work
to date.
The first track, "Void Meridian," opens the gate into their world: slow, moody, and full of atmosphere. The sound is thick, but never overdone. Guitars ring like church bells in a storm. The
rhythm section keeps it grounded. But it’s Sara Bianchin’s voice that really carries the weight here.
If you’re usually not into female vocals – this might change your mind. Sara’s voice has grown stronger, deeper, and more expressive since earlier records. There's a new level of control and
intensity here. On "At Races", she shifts from soft to powerful with ease. On "The Dress", she sounds vulnerable, but never weak – like someone staring straight into the abyss and refusing to
blink.
The album plays with contrast: heaviness and silence, fire and smoke. "Fire on the Roof" brings some rock energy, while "Thicker Blood" ends the album with an emotional and slow-burning finale.
The jazzy moments don’t feel forced – they add air and elegance to the overall heaviness.
Production-wise, The Spin sounds clean but natural. Nothing is over polished. Every instrument breathes. There's a lot going on, but it never feels crowded.
The Spin is more than just another doom album. It's a mature, bold, and emotional work that shows how far Messa has come. Sara Bianchin’s voice is now the center of that universe – and it’s
shining darker and brighter than ever.
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