You don´t need Rammstein´s fireworks or Trent Reznor´s depression to create an intense and danceable music with dark and heavy vibes and rhythms. The French duo Joachim Blanchet on keys, programming and voice and my friend Job Trunel (Tagada Jones, Le Bal des Enragés) on drums manage to create a scary and obscure soundtrack for your upcoming Halloween-party, on which you don´t have to disguise yourself, just put the upcoming album of FauxX and everybody get scared and get on the dance...
This song feels like a Scott Barrett or Richie MacCaw tackle. And as a rugby fan, I'm not exaggerating. A very powerful, forward-moving song, bellowed with all the facets of Matthew Hyde's voluminous voice, which feels like the All Blacks are celebrating a haka a meter in front of you. And us in Europe? We see Earth Tongue from New Zealand four times a year, but so far, no Beast Wars in sight. I'm praying to Matte from SOL that he brings this fantastic band to Europe for a few festivals.
With The Spin, Messa takes another big step forward. Their fourth album is a dark, elegant ride through doom, gothic and even jazz-influenced territories – and it’s easily their most refined work to date. The first track, "Void Meridian," opens the gate into their world: slow, moody, and full of atmosphere. The sound is thick, but never overdone. Guitars ring like church bells in a storm. The rhythm section keeps it grounded. But it’s Sara Bianchin’s voice that really carries the weight...
I have to admit that Berlin creates a lot of interesting bands. One of the latest are Icarus Burns, which I guess, I will hear and see them at Berlin´s Desertfest in 2025. Mintaur opens this sonic odyssey, flowing slowly with gentle psychedelic chords that take their time to reach their climax. The first two minutes give way to orthodox riffs that veer between stoner and heavy psychedelia. Following a path reminiscent of bands like Rotor, guitar solos bring us beautiful and exotic oriental...
Deafslow did a good job to warm up the audience; distorted bass sound with a lot of fuzzy guitars playing in the style of Fu Manchu, Kyuss, spiced with two excellent voices. In fact, there was nothing new, but the music went straight, without surprising the audience and was good to bang your head. The sound-man did a great job for them and the band sounded really good on stage and for the audience. With a bit more experience, this band is a good choice for the upcoming summer festivals. A...
Once there was a boat, traveling in dark winter nights on a black water river. The sailors came out from Catalunya and the wanted to found a band. So they start fishing in this dark water and they captured Death Metal, Black Metal, Doom Metal. Then they asked the devil what to do with all these fragments. And the devil wanted to throw the dice about the destiny of all these dark musical styles. So the band started to throw the dice and the devil creates a dark blend of harmonic music made out...
Hellfest 2014, Valley: Black Tusk destroyed the stage. Bandcamp 2024: Black Tusk blew my speakers and tore the roof down. Brushfire puts the pedal to the metal and it sounds like a freight train running through your head. Fantastic appetizer for their upcoming album on April, 24th and I´m glad to re-discover this band after their loss of Jonathan Athon in November 2014.
Italian Doom Metal masters will hit the roads in summer again. I hope for them the best after the crashed van on the road between Warsaw and Berlin on their way to the Desert fest and some big issues with their pressing company.
Finnish bands are really to able to benchmark music. From the ruins of early Grunge and Stoner in the early 90´s the band created something really excited. They skipped the depressive side of Grunge and Black Sabbath´s influence. The result is this album, a fascinating trip through this revolutionary window of three years of interesting music in the 90´s.